36/40

Jean Reno filmed scenes for the film, but was cut entirely from the finished film

A high-powered CEO puts his career and family on the line when he begins a passionate relationship with his much younger intern. Appears in Graham Norton i Characters: Nicole Kidman/Cynthia Erivo/James Norton/Chris McClausland/Benson Boone (2024). I recently watched Babygirl, and I have to say it is one of the most unique and daring thrillers I have seen in a while.

First of all, the visuals are stunning

Directed by Halina Reijn, the film delves deep into the complex dynamics of human desire and power, wrapped in an intense, almost suffocating atmosphere. Jasper Wolf’s cinematography captures the raw emotion of each scene, combining light and shadow to create an atmospheric, almost dreamlike world. There is a constant sense of tension, as if something explosive is always on the verge of happening, and the pacing keeps you on the edge of your seat.

Babygirl isn’t for everyone, though

Nicole Kidman delivers a stunning performance, bringing a mix of vulnerability and cold calculation to her character. While a lesser-known supporting role, she also does a great job of lending depth and unpredictability to the story. Without giving too much away, the film’s exploration of psychological control and submission feels both disturbing and captivating.

It’s haunting, stylish, and will keep you thinking about it long after the credits roll

Its erotic elements are done tastefully, but they may feel uncomfortable or controversial to some viewers. The story feels intentionally vague at times, forcing you to connect with the characters’ motivations, which I found fascinating but may frustrate others. Overall, if you like psychological thrillers that aren’t afraid to tackle taboo subjects and push the envelope, Babygirl is definitely worth a watch.