34/43

Nefarious, a definite recommendation, and this one

Narrative

Two young religious women are drawn into a game of cat and mouse in the home of a strange man. The end credits include the statement: “No generative AI was used in the making of this film.” There have been two really good horror films in recent years that have truly disturbed me psychologically. Both films feature some of the most vicious performances from their antagonists and after seeing the film, both have stuck in my head ever since.

No spoilers, other than it’s something you have to see for yourself

The story, like Nefarious, is basic and simple and relies more on character than special effects. What happens here is one of the best thriller/horror films that has kept me on the edge of my seat. Once Hugh Grant is introduced, everything seems to start out like any other day for two Mormon missionaries.

It’s like the film is engulfing you in a sense of uncertainty

The film evolves into a twisted cat and mouse game where villain Hugh Grant abandons his well-spoken and educated speeches for offbeat humor and terror. What keeps you going here is the intensity on screen, while I have to say the audience I saw this film with was completely silent. I mean, I’m not really a fan of psychological horror films, but this one is always in the back of my mind.

In fact, I found the conclusion satisfying because it stuck with me even after the film was over

If there’s one small criticism, like many A24 films, it’s the ending which can be a bit of a letdown. This might not only be the best horror film released this year, but maybe the best film of the year. Hugh Grant deserves Oscar consideration for his performance, because not since Anthony Hopkins’ Hannibal Lector or Heath Ledger’s Joker has there been a more frightening villain.

A film that relies less on brawn and more on brains to scare you

Check out our list of exciting new films from this year’s film festivals, including Venice, TIFF, the New York Film Festival, and more.